Quando: 18 Julho 2014, sexta-feira, às 19 horas
Onde: Fundação Hassis
Endereço: Rua Luis da Costa Freysleben, 87 - Itaguaçu
Quanto: Gratuito
Evento no FB: www.facebook.com/events/332737016878448

Dia 18 de julho, sexta-feira, às 19 horas, na Fundação Hassis, Mostra Strangloscope de Vídeo e Aúdio Experimental, 1ª Edição: Performáticos. PARTICIPE!

PROGRAMAÇÃO:

- Rafael Schlichting e Cláudia Cárdenas
Performance Live Cinema com a participação dos performers Iam Campigotto e Lilian Barbon

1000 PLATEAUS (2004-2014)
Steven Woloshen
Canada / 2014 / 3' 21''

Made entirely in the front seat of a car with simple art tools, this short hand-made film celebrates the joy of road maps, travel and jazz music.

Steven Woloshen has been passionately creating handmade abstract films and time-based installations for more than 30 years. Lecturer, juror, technician, animator, craftsman and recently author of Recipes for Reconstruction, the filmmaker’s manual for decay, renewal and other handmade, analogue film techniques. His rich filmography includes Didre Novo (1980), Get Happy (1999), Ditty Dot Comma (2000), The Babble On Palms (2002), Cameras Take Five (2003), The Curse of the Voodoo Child (2005), The Homestead Act (2009).

INFLAMÁVEL
Mariana Bley e Rodrigo Abreu
Brasil / 2014 / 9'

Utilizando-se do sincretismo cultural e religioso brasileiro - candomblé, umbanda, catolicismo, xamanismo - este vídeo-performance propõe arte como canal de transformação, arte como ritual, arte como revolução.

Gravado em Maio/2014, nas ruas do Rio de Janeiro, o vídeo-performance ganha caracter documental ao retratar de perto as insatisfações e manifestações públicas de um Estado/País em crise, não apenas econômica, política e social, mas também humana, espiritual e afetiva.

O vídeo-performance "Inflamável", idealizado pelo performer Rodrigo Abreu, foi realizado em parceria com a vídeo-artista Mariana Bley para o evento internacional Sweat - an international collaborative experience, em Rotterdam, Amsterdam, à convite do artista Jasper Griepink, o vídeo integrou o módulo "New Age Act ivism", aonde temas como performances rituais, ativismo político e afetivo foram discutidos e onde trabalhos de arte visual e performance ainda estão sendo compartilhadas, desde 16 de Maio até 17 de Junho de 2014.

FORGET ME NOT, AS MY TETHER IS CLIPPED
Zachary Fabri
USA/ 2012 / 14' 50’'

Premiered in the exhibition Fore, at the Studio Museum in Harlem on November 11th, 2012.

Forget Me Not, as My Tether Is Clipped was shot in black-and-white 16mm film and captures the artist with balloons tied to his dreadlocks. The scenes are in and around Harlem, where the artist lived for several years. One location is Marcus Garvey Park, a space devoted to the Jamaican-born activist. The video's message metaphorically examines the intersection of memory — signified by the balloons — and history and how past beliefs shape current perspective.

Fabri was born and raised in Miami to Jamaican and Hungarian parents. Because of his biracial upbringing, class, economics, and politics are reflected in his work. The 37-year-old Fabri explains that "my works pulls from African-American politics, both the civil rights movement and what is going on today," he says. He moved to New York in 2000 and earned his MFA from Hunter College, City University of New York, after picking up a BFA in graphic design from the University of Florida. His residencies have taken him to Berlin, Brazil, Maine, and around New York City, and he additionally takes on graphic design and teaching gigs. To Fabri, performance art means he uses his body as a creative tool. He views his body as political and enjoys putting himself in various contexts.

THE GREAT O
Lisa Jeannin&Rolf Schuurman
Suecia/ 2012 / 5'

The artist duo Jeannin & Schuurmans build their own sets, and by consequence their own worlds, in the forests of Sweden. These are used for animations and sometimes a mixture between animation and live action video. Strange actions take place by home-made characters. Parts of the sets are, on a larger scale, being modified into installations or sculptures. In their stories they address the crossing of boundaries, often within the mind.

Lisa was born 1972 in Uppsala (SE)

Rolf was born 1972 in Oss (NL)

lives and works in Hakebo (Sweden)

Lisa Jeannin & Rolf Schuurman’s work consists out of drawings, sculptures, animations installations and sound. They fuse reality and art experience in a series of disconcerting imaginative modulations. All elements are equal. Every element performs on its own level and empathizes with its part in creating a magic game in which they’re given life. […] Often there are films within the films. Several layers of presence characterize their pieces. They want to find that, which cannot be expressed with the language, that which is beyond our consciousness. Lisa and Rolf often work with symbols as these allows you to cross borders into the unconscious mind and give the viewer a possibility to discover things they normally don’t see or feel. In the cracks of reality, the hidden, the indescribable, is where the mystery happens.

Text from the artists webbpage written by Leif Holmstrand.

AQUELE CARA
Dellani Lima
Brasil(MG)/ 2013/ 19’

Em tempos de conservadorismo, um manifesto pela liberdade individual. Uma prosa biográfica sobre Jonnata Doll, um dos artistas contemporâneos mais expressivos de Fortaleza, Ceará.‘Jonnata Doll é um punk na essência mais estrita da denominação – alguém que batalha e cria por si, livre, sem amarras (como prezam os preceitos anarquistas) -, mas que consegue de alguma maneira viver o mundo atual, sem se colocar como "o” eremita. Dellani também é um ser assim, e nada mais justo (ansiado, bem-vindo, aguardado) do que um par se identificando e trazendo em sua arte a arte do outro que se assemelha: e que, naturalmente, é de pouco alcance pruma sociedade comportada demais. ‘ Cid Nader

DISPOSITIVO CINEMATOGRÁFICO-LA BEAUTÉ DES IMAGES
Cláudia Cárdenas e Rafael Schlichting
Brasil(Florianópolis)/ 2011/ 5’

Entre imagens, entre lugares de um discurso amoroso sobre o fazer artístico a partir da matéria que nos concerne: natureza, transparência, opacidade, entrega, captura e sedução das imagens. Beleza. Revelar o Dispositivo Cinematográfico como meio de chegar à beleza das imagens. Na continuidade e descontinuidade das imagens cortadas pelas lâminas se inscreve uma potência corpórea e humana. Fazer cinema, imagem e movimento como um processo pictórico delicado e entregue ao risco.

BOI DE MAMÃO
Hassis